Die Dreigroschenoper

The second show was Robert Wilson's rendition of Brecht's and Weill's Die Dreigroschenoper (otherwise known as The Threepenny Opera) and consequently our first trip to the famed Berliner ensemble. This proved very exciting for me as I am a fan of all the names mentioned above: Wilson, Brecht, The Berliner Ensemble (originally Brecht's theatre company), and of course the play Die Dreigroschendennishopper itself.The show did not disappoint and I had a very fulfilling theatre going experience. The space itself was beautiful and had the feel of Lincoln center crossed with the BAM Harvey. Yes I fan-boyed and yes I took pictures. The show was exactly how I imagined it would be: haunting stage pictures and dynamic movement (both characteristic of Wilson's work), a wonderful score orchestrated beautifully (not overwrought as many American productions tend to go) and the acting was strong. Granted, once again the whole thing was in German, so all I have to go off of is the movement, the intonation, vocal ability and general stage presence, which for the most part (at least for the principles) I thought was solid. Also, the fact it was in German did make it hard to catch all the intricacies of Brecht writing but because of my familiarity with the story I was able to understand what was going on most of the time. Was it the most moving thing I've ever seen? No. Still though, I enjoyed the hell out of it and it will be an experience I will not soon forget.

I'm still wrestling with the question of whether or not Brecht would have enjoyed this piece and if Wilson's director centric production takes anything away from the play itself? I don't think so. More and more I think Brecht would appreciate Wilson's stylistic detachment.