The first impression is
disorientation. Flashing strobes cut through the obfuscating fog, as the sound
of drums and hi-hats escalate at a frenetic pace. Labyrinthian concrete walls set
an oppressive décor reminiscent of their brutalist origins. Stale smoke hangs
in the air; glass bottles and drinks hide in every orifice. The crazed, hectic
settings inspire an animalistic fervor within the writhing mass of bodies on
the dancefloor. Underground, we hide away from prying eyes and the moonlit
skies above. Here, there are no rules or authorities. The only law is the
unspoken mandate to vibe.
Raised fists pierce the
fog, with enough vigor to break through the ceiling; the only logical response
to the heavy, industrial beats that have taken command. On the walls, a
panoramic sequence of images and vignettes cast a series of visual motifs that
heighten the experience into a multimedia homage to the mechanical. Here, there
are no leaders, no gods; just the ever-present pulsing of the kick drum at 128
BPM. Inevitably, the beat consumes your body and soul; you submit your mind to
the greater energy that is techno.
Like puppets without
strings, the crowd is held, enslaved by the music. We couldn’t leave even if we
wanted to. Bordering on a quasi-religious experience, some of the clubbers have
been here for days, the light long extinguished from their dead, bloodshot
eyes. There is only the darkness. There is only the beat. There is only the
pervasive, all-freeing experience that is to lose yourself in the temporary
grip of insanity. Even the DJ is trapped behind bars, behind a booth that holds
him hostage to the music as much as he controls the decks. Everyone comes alive
to the spirit of the all-consuming, the all-knowing; slowly but inevitably, the
music devours us whole.
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